I never grow tired of experimenting with chemigram techniques on various makes and vintages of photo paper. Long-expired emulsions on papers of unknown provenance yield endless surprises in contrast, clarity, and complications. I'm honored to open a package of paper that has waited in light-tight darkness for decades waiting for a chance to express itself. Results are sometimes fast, sometimes slow, always fascinating.
Dialogue and critique are important to the SPE mission.
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