The London Globe printed a new word "Smog," coined in a speech at the 1905 Public Health Congress. They considered it a public service to describe this phenomenon.
The Smog Collectors materialize the reality of the air we breathe. I place cut, stenciled images on transparent or opaque plates or fabric, then leave these on rooftops and let the particulate matter in the heavy air fall upon them. After a period, from four days to a month typically, the stencil is removed, and the image is revealed in smog. To quote a stranger who saw my first experiments, they are "footprints of the sky".
We live in the contradiction that the dangers are out there, beyond, and that we are safe in our homes. Since the worst in our air can't be seen, Smog Collectors are both literal and metaphoric depictions of the current conditions of our life source. They are reminders of our industrial decisions: the road we took that seemed so modern.
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