Saturday, March 18, 2023 @ 9:00am, Grand Ballroom I
"What does this have to do with photography?" The early years of the SPE Women's Caucus
Catherine Lord is a writer, artist, and curator whose work addresses issues of feminism, cultural politics, and colonialism. She is the author of the text/image experimental narrative, The Summer of Her Baldness: A Cancer Improvisation (University of Texas Press), the conceptual translation Sa Calvitie, Son Colibri: Miss Translation (L'une Bevue) and (in collaboration with Richard Meyer), Art and Queer Culture, 1885-2005 (Phaidon Press, 2011). Her critical essays and her fiction have been published in Afterimage, Art & Text, Artcoast, New Art Examiner, Whitewalls, Framework, Documents, Art Journal, GLQ, X-tra and Art Paper, Artforum and October, as well as the collections The Contest of Meaning, Illuminations: Women Writing on Photography from the 1850s to the Present, Reframings: New American Feminisms in Photography, The Passionate Camera, Hers 3, Space, Site and Intervention: Issues in Installation and Site-Specific Art, and Decomposing. Her work as a visual artist was included in the 1995 inaugural biennial of Site Santa Fe, and has been shown at the New York Gay and Lesbian Film Festival, Post Gallery (Los Angeles), La Mama (NYC), DNJ and Thomas Jancar (Los Angeles), Manifesta (Murcia, Spain), and the Los Angeles Gay and Lesbian Center, among other venues. Her book, The Effect of Tropical Light on White Men, is forthcoming in spring 2023.
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